Moments in Magical Modernity: X


X.

Pixie-small feet find terra firma as a mother warns against flying on the public sidewalk. On the baseball diamond in the park, there are complaints against winking from third base to home in a kickball game and the rules are changed to keep things fair all round. Starlings swarm and meld into eccentric shapes at the turn of a childish finger, the tiny birds eager to please an equally tiny artist.

Nemiah, the park’s caretaker, watches with appraising eyes as his young students imagine unruly hedges and bushes into lovely topiaries for the Children’s Garden, coaxing the plants into the shapes without every clipping or snipping a single leaf. Animals, geometrics, knights on horseback, and shapely towers materialize under the fruitful imaginations of nature-sensitive children.

Leina leads her prenatal yoga class in her studio of soft blues and whites. She guides and transitions her class through the movements in soft, soothing tones, the sound of water pouring and rushing through her dulcet voice. Together, they bathe souls and bodies weary with the work of fostering and growing life in consolation, commiseration, and calm.

A young satyr blushes from his horns to his hooves with joy as a lovely, rosy redhead accepts his invitation to the Solstice Block Party and Dance with a pretty smile.

Childhood and growth are as full and varied and joyful and tumultuous as it can ever be. Babyish “I love you’s” still give way to the intermittent “I hate you’s” of adolescence and puberty. New life is celebrated profusely and milestones. First steps, first words, first flights, first shapeshifts, first discoveries of hands, feet, tails, wings. Lullabies are sung over cradles, midnight feedings stumbled and whispered and sleepily cooed through. Children grow and learn. They make friends and attend school. Magic does not separate them. Rather, it pulls these little ones together in a world sewn together by Magic.

A little girl is awoken in the deep night, sensitive ears catching the sound of crying through her open window. Peering out, she spies the neighbor boy weeping in his darkened bedroom with only the silver of moon to witness. Weeping for fear of the shadows.  A bit of paper folding, a silvery bit of flame whispered on a breath, and the little Mrs. Darling nightlight floats across the hedge barrier to rest on the boy’s window sill. There the paper lantern sits to cheerily flicker away throughout the night and assure him that he is not alone. Never alone.

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Photo Credit – Pinterest

[Wizarding World] Ruby-Slippered Magical


The stars twinkle and wink, flirting with the hazel-eyed woman who watches them ever so closely from below. She used to imagine the constellations wheeling and spinning to make themselves shine all the brighter, each trying to arrest her attention away from others. She peers through her telescope, noting placement and brightness for her charts, color and orientation, before mobiliscopium’ing the telescope carefully back into its cupboard. She hates leaving it out to the elements and human clumsiness, however shielded the castle may be. Once the beautiful instrument is tucked away, she makes her way from the observatory, her apple-shiny crimson stilettos sounding along the slat boards of the floor before hollow echoes give way to solid clicks as wood concedes its place to stone when she enters the castle proper again. Seating herself on the bannister of the winding stair, she outdoes the storied nanny-witch Mary Poppins as she slides all the way down to the base of the tower. Why walk when one can glide?

“Professor Penuryst is magical!” a first-year, a flash of muted yellow at her skirt, whispers to her companion as they flatten themselves back against the staircase wall at the woman’s jolly “On your right, mamselles!”

“Well, of course she is, you git! She is a professor.” The second-year, badge emblazoned in emerald, rolls her eyes.

“No. I mean, she’s, like, ruby-slippers magical!” the awed Muggle-born sighs.

Of course, her pureblood classmate had not the foggiest notion of what she was talking about, Dorothy and her yellow brick road not being overly common bedtime fare for witchy children.

“And those shoes…!”

The woman hits the floor moving, never breaking stride as she manoeuvres through the night-shadowed corridors. A few students scurry about from the library and study groups, off to their common rooms and dorms before curfew chimes throughout the castle and she hurries them along their way. Making her way to a wing off-limits to students, the female professor draws out her rich cherry-wood wand, waving it succinctly at an unremarkable door in the hallway. It swings open and admits her to a comfortable parlor, the fire in the grate leaping up into life and causing the handsome barn owl perched before it to ruffle his speckled feathers and preen.

“Gawain, you’re supposed to be in the Owlery, or, better yet, out hunting,” she chides, to which the owl only clicks his formidable beak and settles once again on his now-warm perch.

How on earth did the witch expect him to be out hunting when he knew he would be delivering missives near and far for her once she completed her charts? Even an owl needs his sleep.

Delorah Penuryst merely chuckles and proceeds into her study from the parlor, setting down her scrolls and wand. Twisting up her abundantly unruly hair into a bun, which she then secures with said wand, she settles down with journal, fresh stationary, and fountain pen (yes, she was a fan of a few more modern epistolary devices than just quill and inkwell and parchment). She then goes on to compose several different letters, one of which to be delivered just over the hill. But, in that particular case, letters were far safer than face-to-face conversations, as she didn’t wish to get Firenze into trouble with his herd after all.

The night deepens as Delorah writes, first the letters and then in her journal, taking in the sweet silence of the night, with only the crackling fire in the next room for company. She writes not only to Firenze but old friends, colleagues, and mentors. She writes to the head of the Magical Creature Rehabilitation Conservatory in Wales, the mother of her best childhood mate. She writes in German to her grandmother, currently serving on the Board of Governors of Beauxbatons Academie of Magic. Delorah writes until the paper bullets in her brain run out. Letters enveloped, sealed, and addressed, they wait in their parcel stack for when Gawain awakes in the pre-dawn, ready for work.

Delorah, meanwhile, rises from her desk and makes her way to bed, weary of mind and body but utterly content. There is nowhere she would rather be than where she is right now, at home in Hogwarts, teaching the art and science of Charms and Astrology to rising young witches and wizards. No, nowhere else in the world. Freeing her abundant curls, she settles beneath the covers of her bed, a threadbare and oft-kissed rag doll at her side. Tomorrow will be here soon enough for this “ruby-slippered magical” woman. Giving the wand one more flick, Delorah bids the world sweet dreams and good night.

“Nox.”

 

Moments in Magical Modernity: IX


IX.

The public library is open 24 hours a day, seven days a week, 365 days a year. The Night Librarian is a woman named Lydia Dumont and everyone knows that there is no one better-suited for the job. She is knowledgeable on just about every subject the library holds within its walls; after all, she has lived out the necessary centuries in order to be thusly educated, as well as quite proficient.

Lydia is a statuesque woman with piercing grey eyes that look up at you (or down at you, depending on the sort of question you have just asked her) over cunning cat-eye framed glasses. She always wears a ruby-red lip and impeccably manicured nails to match, as if she has decided that the ’50s and its styles rightfully belong on her person. And, of course, they do. You will ever find her in hourglass-hugging pencil skirts and sheath dresses, kitten-sharp high heels, and hear her declare Calvin Klein a “darling” for his everlastingly vintage vision in dress designs. Oh, her hair, you ask? That is…well…Shakespeare would say “whatever color it please God” (Much Ado About Nothing, 2.3.30). Or rather, in this case, whatever color it please Lydia. Blonde, brunette, redhead, silver fox, ebony-tressed…one can only imagine how they will find the Night Librarian from night to night.

The library is Lydia’s domain, a kingdom all her own. Everyone knows that she rules absolutely here when night falls and the midnight oil burns late. University students spend many a night here, the Librarian’s expertise frequently a lifeline for them. Yes, she is often referred to simply by her profession and in hushed, respectful tones. There are stories of her ire and wrath for those who disrespect the sanctity of her domain and her complete authority within it. There are whispered tales of unsavory behaviour–an excessively foolish set of kits and cubs literally foxing first-edition volumes, for example–resulting in said individuals or even whole coteries never seen in or near the library ever again.  And fines? Return her precious texts late? Let’s not even joke about such a thing. Raucous behaviour is one thing; the loss or, in her mind, theft of a priceless reliquary of knowledge? You had best set your affairs in order and make yourself right with your faith.

Do not, Sirs and Madames, mess with the Librarian. Or you may come to fear the shadow of her citadel.

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Treating Valentine’s Day Gently


Yesterday was that most celebrated and simultaneously dreaded and reviled of days: Valentine’s Day. I know some people who love it, others who disagree with it, boycott it, or downright hate it, all for different and likely very valid reasons. I personally don’t mind it. It gives me an excuse to do what I enjoy doing anyway: letting people know that they are cared for, loved, and appreciated.

In college, I bought carnations from one of the sororities and had them sent around campus to my friends. I snuck around dorms, leaving parcels of fresh-baked cookies or sliding cards under doors.

Nowadays, I send letters and cards through the mail, few to none of them necessarily red or pink or covered in hearts. I sometimes send flowers, goodie/snack baskets, books, or coveted t-shirts.

This year, I bought my husband a card about cuddling up and binge-watching our favorite show, along with a copy of the latest season of “The Big Bang Theory” so we could do just that. He bought me a DVD of a show that I have been looking forward to, too. I bought my daughter some cute outfits for her first Valentine’s Day party at preschool and a card with a spring-loaded heart inside, which she played with and covered in stickers all evening.

Yes, the day has become commercialized. Yes, the keeping of it has become social expectation. Yes, some people try to front-load affection, love, kindness, etc., and then let it lapse the rest of the year.

For some, this day is a day of bitter memory, of hurts tied not to the day itself but to the events of one or several Valentine’s Days. Unfortunately, over time, those bitter cords have attached themselves to the day itself. The circumstances have perhaps faded into oblivion, leaving only the day to stand as a bastion of misery and thus worthy of boycotting.

Again, people’s reasons are valid and they are free to do as they will.

For me, I choose to approach Valentine’s with the thought of, “Whose heart can I gentle today?”

Whose heart can I make smile today?

Who can I remind that they are loved today?

Who needs a reminder of the good that they have done that I’m grateful for?

Who could just use a kind word on what might be a lonely day?

For me, Valentine’s Day isn’t an obligation, it isn’t a burden. It’s an opportunity–for love, for encouragement, for gentleness. But that’s just the way I see it.

I hope yours was good to you.

Moments in Magical Modernity: VIII (or, The Silver Lady’s Acolyte)


Author’s Note (2/22/17):  The idea that this piece belongs with the rest of the Magical Modernity entries has not let me go, not since I first published it. And so I am succumbing to it and will now count this lovely moment amongst my other glimpses into a world where magic is everyday but still so very…well…magical.

VIII.

The sun blazed its way to its cradle in a conflagration of amethyst, coral, and rose, stark and dragon-breath bright against the indigo of the coming night. This breath of celestial fire found her bathing in a lake on a ridge. The water ran in rivulets over soft skin and rained in droplets from fingertips as gold spread over the surface of the lake. As the burning gradually died away and the indigo velvet cloaked the sky, the stars found her amidst the trees. The blue-white light spilling from the Silver Lady’s train lit on firm, supple skin, a graceful curve here, a soft roundness there. As the light scattered over her, she basked in it, breathed it in like oxygen itself. She could feel the gold begin to shimmer in her hair as she basked in the blessing of the Silver Lady. She began to move through the woods, the scent of spring blossom thick and heady in the early spring night.

As the Kitsune moved, picking up speed along the forest floor, moon-spangled skin gave way to golden softness. Pale fingers became strong black paws, five gorgeous flowing tails trailing out behind her. Scents and sounds became sharp and heady, the very scent of moonlight filling her nose to the point of euphoria. As large as a direwolf, with a coat that splashed sunset fire and paws that threw up stars where they met earth, she ran and yelped, howled and leaped, stretching her nose and fanning her tails in obeisance and for the Silver Lady’s delight.

The first spring full moon, the air full of blossoms and new life, the many-tailed fox ran free in the blue-white light.

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Featured Artist Spotlight: Courtney Phi


An expert in paint, pen, word, and stitch, Courtney Phi has been covered in art from her young days. She has been painting and drawing for as long as she can remember, with differing degrees of facility. Her mother provided a creative foundation for Courtney in their home as she took on various art projects, sewed, and drew her daughter into her sphere of creativity. Supportive of Courtney’s talent and passion, her parents placed her in an arts magnet school when she was a young girl, where she was exposed to art history and technique from an early age.

Now a proficient artist across  many mediums, Courtney Phi is constantly reaching for new heights, new pursuits, new projects, new avenues for her creativity – whether it be fashion, writing, medieval dancing or cooking, or painting. Courtney Pritchard is also one of the most perceptive people I have ever met and it shows in her art, her ability to see beyond the lines she is currently drawing or painting, to see what comes next. She is also perseverant, keeping at her work until she gets it right. These are not only traits of a highly-creative mind but of a highly-determined, wonderful-hearted person. Her creativity has been an inspiration and muse to me on several occasions, just as she has as a friend.

Courtney Phi Art Facebook Page

Courtney Phi’s Patreon Page – Come support the beauty!

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Art is property of Courtney Phi. Prints available at her Etsy Store: Sycamore Grove Designs

 

My Holy Discontent


Last weekend, I listened to speaker Bill Hybels talk about passion. One of the questions he asked was, “Where does your passion come from? A beautiful dream or a holy discontent?” I was more than a bit fascinated by the phrase “holy discontent”. Can discontentment be holy? Then Mr. Hybels explained. Sometimes our passion can come from a complete and utter discontentment with the way things are, along with an inability to leave things the way they are. We simply must do something about it, so our passion is born in and borne out through this discontentment.

I realized that I live in a state of holy discontent. That is where my passion wells from. I am utterly discontent with how much of a lack of love, mercy, and grace there is in how people treat each other in our world. I cannot let things stay that way. I see people hurting, pieces of hearts broken off, cracks gaping in souls. I cannot let things stay that way.

I cannot let those who are hurting remain in their pain alone without holding their hand and telling them that they are safe to feel as they feel.

I cannot let those with broken hearts suffer without knowing that they are loved, cared for, and considered worthy.

I will not let those with gaping souls go hungry without telling them that God calls them good, wonderful, and beloved. And so do I.

My passion for hearts, my soul for people, is born out of a holy discontent. I believe that God has allowed this particular seed of discontent in my soul with the aim of fueling me to fulfill the purpose for which I was created: to love big. God has filled me dissatisfaction in seeing the lack of love in the world, and He pushes my heart to offer it. Day after day, as much as I can: love, encouragement, mercy, and grace.

There are people who walk around each day, dear ones and strangers, with broken hearts, cracked souls, and empty eyes. People who think themselves failures, unlovable, alone, and bereft. People who are suffering, and I cannot stand it. The heart that God has given me yearns to see souls, people, dear ones, strangers, live loved.

I want to help others breathe a little more easily and deeply.

I want to respond with grace, gentleness, truth, and love.

I want people, you precious people whom God has made, to know that you matter, you are significant, you are beloved, and were created with a unique purpose in mind. Yes, each of you. You are here on purpose.

My passion is not one that is big (well, it is–to me. But not like attention-getting big, I mean.). It is not one that is loud, will make me famous, or maybe birth a movement. I do not lead workshops. I haven’t written books. And that’s okay. I do what I do. I post, I call, I listen, I write, I pray, I hold hands, and I give hugs (and mugs of coffee/tea/hot chocolate). These are small things, but please don’t underestimate the small things you can do. They can effect monumental change in a person’s life and soul. I am living proof.

What is your passion in this life? Where does it come from? Are you working towards a beautiful dream or are you striving to change the source of your discontent? And, yes, these things that you see wrong with the world: that is indeed a holy discontent. Perhaps you feel that your passion is not that big. Not big enough for people to pay attention, not big enough to make a difference. Please, hear me when I tell you this: it is! Your passion is big enough. The small things you do are big enough. The steps you take in your passion are big enough. Yes, they are! Keep dreaming, keep doing, keep stepping.

My passion is born of a holy discontent. A discontentment with a world lacking in goodness and love. I want to find it, highlight it, give it, infuse it. I want to change the world. I want to see love change the world. I want to be a love that changes the world. Let love be the overwhelming response to and result of my holy discontent.

Moments in Magical Modernity: VII


VII.

On Sunday mornings, the silvery peal of church bells can be heard ringing out over the city, calling to the devout and the believers, the lost and the hungry.  Places of worship fill with those who arrived weary and leave with beatific faces. But the churches are not the only places filled with the faithful, human and magical alike.

In a small apartment, an aged, bent, great grandmother sprinkles salt over and lights a warm candle near the lovingly-framed photographs of her children and grandbabies. Salt and light.

In a bare-branched, snowy copse, a frost fairy etches designs in ice on the ancient trees. Runes of renewal, healing, community, the hearth. With delicate fingers, she arranges jeweled webs, diamine dream catchers, between spindly branches stretched towards a winter-blue sky.

On star-hidden nights, silver-threaded, constellation-shot, blue velvet is hung over the beds of gargoyle children, folded snugly in their wings, so they know they are seen, loved, and protected by the skies they will soar.

Small groups gather in the warmth of the Hollow to talk about God and truth, faith and practice and impact. Pearla fills coffee mugs and tea cups, and Kingsley provides dishes of soup that warm hearts and open souls. Under the Hollow’s peaceful roof, debates are held, disagreements acknowledged, insights shared, and hearts encouraged. Souls often leave a little lighter, hooves, paws, feet, and wings moving a bit more briskly, and hands and hearts feeling maybe just a little fuller.

When Emotion is Anathema to Gentleness


Twice so far this week (oh, who are we kidding? Twice in the same day…) I have wanted to get into a fight, or at the very least, a shouting match with people who have made friends of mine feel marked lousy. It didn’t matter to me whether it was a mistake or not, I just knew that they had hurt someone I care about and I was seeing red. It doesn’t help that I have been in a depleted, weary place for the past week and am finding my negative emotions easily amplified right now, but that didn’t matter either. All I knew is that these people needed to know just how much they suck. I even  gave in to internet courage and posted something to that effect on one hurt friend’s FB post about the incident.

And then I immediately felt guilty. I immediately felt like a fraud, a liar.

Here I am, claiming to espouse love and grace and gentleness, and yet I can act and say things so absolutely contrary to any of those things. I wanted my friend to know that she was supported and loved but I tore someone else down to do it, someone I didn’t even know.

I went back and edited my comment (to say that I wanted to yell at the HR person in question rather than hit them), but, obviously, I still feel badly about it. Or else I wouldn’t be sitting here, feeling compelled to write this at 6am the following morning.

Emotion can sometimes be an anathema to gentleness. Mine are currently running high, subject to amplification because of weariness and need to recharge/refresh, and I allowed them to rob me of an opportunity to show gentleness to a stranger. I lost a chance to model the gentleness that I am very much wanting and trying to internalize so that it becomes habit, instinct. That chance is gone now. I can change the post, I can apologize and try to do better, but I cannot erase that first response, that first action, those first words. They are written on time and memory. I won’t forget them, and I am honestly struggling a bit not to be consumed by them right now. I acknowledge my tendency to ruminate on things and cause myself a fair amount of emotional pain because of past mistakes. That is not what I want to do to here.

I acknowledge my humanity, my fallibility, and that I’m going to do the wrong thing at times. But I am not through. My growth is not over. I have felt that nudge of guilt, and I have listened to it. I see where I was wrong and I apologize for my behavior. I will try to be better today. I will strive for gentleness today, even with those I don’t know and may never meet. The words below were published by Jennifer Dukes Lee on her Facebook page yesterday and I am ever so thankful for them and their God-breathed truth.

“I want to be reminded that there is no failure. Failure is just another word for “try again tomorrow,” or “move on; there’s something better for you.” Failure is not the opposite of success. Failure is simply this: NOT TRYING.

Your bravery has a voice. As the week begins, listen to it. Bravery is the voice within that says, “I did not fail. I will try again tomorrow.” — Jennifer Dukes Lee

Moments in Magical Modernity: VI


VI.

Nighttime in the city has a specific Magic all its own. There is not only the typical nightlife of the city but there are also creatures of magic, myth, and memory who thrive under the night’s cloak. Creatures of shadow and star shine, who weave blue moonlight into lifelike sculptures that glow and shimmer. Who paint scenes full of inherent light, fit for dreams. There are creatures who soar on gigantic wings, gathering up the nightmares that would descend on the back of the darkness, gobbling them up whole. Of course, some slip through, but that’s a matter for another time.

As children, we are often taught to fear the night, and while that is still wise, there is so magical_night_by_tsub_chanmuch beauty to be found in it that must not be discounted. There are stars to be wished on, moonshafts to molded, gossamer to be gathered and woven, dreams to be cast and carried. Candle-golden windows in the deep night shimmer with firefly-gilded sand that none can properly see, full of wishes for sweet fantasy and sweeter sleep.

Derva walks the city streets, starry glimmer splashing from her hair, sprinkling from her galaxial skin, and spreading in her wake. Clouds slough off from the moon in shame when she turns a questioning eye towards them. Away they skitter, leaving the blue moonlight in full force. She smiles at a long-distant howl that filters out against the sky in the cold, clear air. It is a howl of years and knowledge and experience. She will commiserate with its owner over a cup of elderberry tea at the Hollow in the small hours before the sun peaks its bright flaxen head over the line where the sky meets the sea.

But, for now, it is night. Night with all her Magic. Night with all her mystery. Night with all her ritual, tradition, and art. For now, it is Night, and Night belongs to her own creatures.0771e0d9a2df787e564c26022bc206c7

 

Photo credits:

Magical Night – http://orig01.deviantart.net/f791/f/2008/232/f/2/magical_night_by_tsub_chan.jpg

Starry body paint — https://s-media-cache-ak0.pinimg.com/236x/07/71/e0/0771e0d9a2df787e564c26022bc206c7.jpg