I felt the glorious tonight, and I realized something. There are few times that I feel more sensual, more alluring, more glorious than when I am being slow and slinky in belly dance. When I am being deliberate and controlled, powerful and serpentine, particularly with snake arms. There’s a power in the movement, as well as a power in the one performing it. There is a strength, endurance, and control that the movement requires to be flowing and mesmerizing. There is also a feeling that goes with it, a confidence, a fierceness. I saw it in the raising of my chin, the tilt of my head, the deep, warm light in my eyes (I even had a thought that they could rival Anne Boleyn’s famed “dark hooks for the soul”), and the curve of my lips. It started without, curled and coiled within, and then flowed outward again, suffusing my body, mind, and soul.
It’s been a long while since I danced. Almost a year. Being back in boot camp class–conditioning, drilling, practicing, perfecting–reminds me of the beauty, strength, and the power that I found in the dance. And in myself as I did it. As my calves are so poignantly reminding me after Egyptian “choo-choo” shimmy drills, this dance, like any other, takes power. It takes strong muscles for control and precision in the movements, as well as developed endurance and stamina to make it through open dances and choreography without dropping to the floor. And even though performing really isn’t my thing anymore, I still love the dance. I love the drills, I love the conditioning, I love learning to move my body in new, prepossessing ways. In ways that make me feel beautiful, charming, captivating, mesmerizing (our goal-word when I first started dancing).
I felt the glorious tonight, and I’m holding on to that sublimity.

Muncie Gras 2010. Photography by Rachel Penticuff.