So. It has finally happened. I have succumbed to the beat. I have been enthralled by the story lived out in music. I have been captured by history dusted off, shined up, and with new life breathed into it.
Yes, I am talking about Hamilton. After seeing the company’s performance at this year’s Tony Awards, I am officially a Hamilton fan. Lin-Manuel Miranda’s music is amazing and has swayed even my heart, which has never really been drawn to hip-hop as a first choice. I have listened to the soundtrack in bits and pieces, thanks to Pandora, and I have just finished on my first full run-through of the cast recording as I post this.
I must admit that I am drawn hard to the story/triangle of Alexander Hamilton, his wife Eliza Schuyler, and her
elder sister Angelica. The ladies’ main songs: “The Schuyler Sisters”, “Helpless”, “Satisfied”, “Take a Break”, and “Burn” tell a story of hardships and the pulls between head and heart, the decisions that are so difficult to make but that we make because we think them the best ones for our families, and even the selfishness of human emotion and ambition and its effects on those we love. Angelica’s introduction of Hamilton to Eliza–who is previously established as struck “helpless” by the familyless, penniless revolutionary–not only kept Angelica free, as the eldest, to seek her fortune through marriage but, as she points out, “At least I keep his eyes in my life.” But the drama doesn’t end there, believe me. Human lives are never devoid of such, after all. Act II will break your heart, by the by. I’m talking tears and tissues, people. As a friend recommended, don’t be driving (or really doing anything else) while you’re listening to Act II. Act I will make you dance. Act II will bring all the feels, break your heart, melt it back together, and shatter it all over again.
Lin-Manuel Miranda’s excellent song sets, lyrics, and composition beautifully tell this story of a “young, scrappy, and hungry” revolutionary and his contemporaries but also paint him as an ambitious and very flawed man. Eager to rise up from his obscure, tragic beginnings and make a mark upon the world, Hamilton takes his shot, often making his said shot, but also makes mistakes–grievous, damaging mistakes–as well as powerful moves in the development of this newborn country and has to live with the consequences of those mistakes, moves, and decisions, both in his professional life as well as his private one. Miranda has a way of writing conversational lyrics that flow almost like honey. Not thick or cumbersome but well-formed, belonging together, and intentional. They also beat and burst through your chest with anger, fire, frustration, passion, determination, courage, fear, and defeat. Every emotion on the spectrum is touched on and poured out in the cast’s voices and performance as they wend their way through Hamilton’s story and those of the lives of those he touched. As he lives and dies and they tell his story.
I am thoroughly enthralled, happily seduced by a new (old) story soaring in a tornado of music. I am so excited that people, especially young adults and children, are becoming so passionate about this show and the history that it represents and presents, as well as the
ceilings and barriers that it shatters in encouraging young actors and actresses to pursue whatever parts their hearts lead them to. I can only hope that I will have the privilege of seeing this fantastic show in person on its tour some day soon.
Now, if you’ll excuse me. *puts my earbuds in and presses PLAY*