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Book Review: Marmee by Sarah Miller

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I cannot explain how happy this book makes me! Little Women is, far and away, my favorite novel and has been for the majority of my life. I have consumed this story in a myriad of different forms and have had so many surprising parallels between my own life and that of Jo March’s fictional one. But this book…oh, this book!

Here is our beloved Marmee’s soul laid out in her own journal entries. It was so brilliant to read the familiar plot points of Little Women but from Marmee’s particular perspective with all the hidden details that often fill a mother’s heart and mind. We are familiar with the Marmee who admitted to her spitting-image daughter Jo about her own struggles with her temper and indignation at the unfairness and injustices of the world. Furthermore, in this book, Miller expands upon those personal struggles and her journey through them and the life her beliefs and actions have built for her girls, her “little women”. Miller presents Margaret March as thoroughly human — loving, longing, struggling, working, and yearning. In the midst of “hoping and keeping busy”, we see the true needs of a woman, mother, wife, and friend presented in honest relief. Now a Marmee myself, I cried at portions, feeling indelibly seen and known in that particular capacity by this best of stories.

Before, I have always identified with Jo, but here in Miller’s well-researched and heartfully-rendered portrait, I blessedly saw my own heart reflected back at me in Marmee’s vulnerable humanity and the loving work of her life. I found myself yearning to be as lucky as John Brooke or Laurie or Birte Hummel, to be drawn into the warm circle of Marmee’s life.

It is also not only Marmee’s portrait that has been filled out by Miller’s pen. Grandfather Lawrence becomes a deeply-loving father figure that is sorely-needed, John Brooke a man thoroughly deserving of Meg and the Marches’ love (no matter Jo’s young protestations), and the Hummel family comes to rich life as full characters instead of a mere vehicle for lessons in kindness and sacrifice.

While Miller does indeed make some changes to this well-worn story, I found none of them to be detractors or detrimental to the effect of this gorgeous story. It is more than just a retelling, it is a new side of the much-beloved story of the March Family. Miller has drawn the stitches between the fictional Marches and the humanly real Alcotts tighter and embroidered them with stunning flourishes of growth, love, faith, hard work, and hope. I could not have asked for or even dreamed of a better novel with which to begin 2023. It has done my heart and soul unspeakable good and has become one that I will undoubtedly recommend over and over again. Thank you, Sarah Miller, for all your hope and hard work in producing a book of such feeling and skill. Thank you for giving me a story that shall find its way into my own Marmee’s hands as well as next to my childhood and anniversary editions of Little Women, in pride of place among my most cherished volumes. A place among my treasures, for that is what it is: a treasure.

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My Storied January, Part 1

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This has been, thus far, a storied January. In the space of the past two weeks, I have been filled to the proverbial brim by two of the most glorious tales, thus my “storied” January. I will begin here with tale the first.

On a recent, rare, free Sunday, I took myself on a date to the movies, alone, to finally dive deep into a childhood love. I settled myself into my seat and nervously waited through the previews (which I usually enjoy but that day they only tortured me by prolonging the excitement) for the beginning of Greta Gerwig’s long-anticipated adaptation of Louisa May Alcott’s Little Women. 

Finally, with a flash of a red leather cover (reminiscent of Dickens’ first edition of A Christmas Carol), the title and author embossed in gold, I was dropped in behind Saoirse Ronan’s Jo March as she paused before the door to the Daily Volcano Press and the imposing Mr. Dashwood. And so it began.

For the next two hours and fifteen minutes, I cried, chided, laughed, fumed, and rejoiced, enthralled to be once again in the world of March Sisters and their beloved friends and family. I was alternately charmed by and incensed at Theodore Laurence, my darling Laurie, played so beautifully by the compelling Timothee Chalamet. And, in my aged prime of almost thirty-seven years, I am more certain than ever of Jo’s wisdom in turning him down. (The fact that I married my own teacher of German, as Jo married her sweet German professor, has absolutely nothing to do with this, by the way.) Jo’s lioness-fierce, protective love for her darling Beth was every bit as moving as it has always been, as was Beth’s own deep, unabashed love for her family and her abiding shyness, which made one want to fight off anyone who would dare to distress her dear, sweet self.

Emma Watson’s Meg was so honest that I adored her to new depths, a great surprise as Meg has never been a favorite character of mine. The struggles she faced between her desire for delicate, pretty things, the oft-harsh reality of her circumstances, and a bone-deep yearning to be content and good were so poignant and real and quintessentially Alcott that I was thrilled to my core. I could practically see Polly from An Old-Fashioned Girl detaching herself from Meg’s inspired skirts to embark on her own stories and struggles along that similar path. I love Watson’s emotional range and the genuineness of feeling that she brought to Meg’s internal struggle. 

I left the movie theater glowing, though a pinprick of disappointment was there. Disappointment that I hadn’t carved out the time to take my own Marmee with me to see this film when she visited for Christmas. 

(Never fear, Marmee! I shall buy it and we shall cuddle up with kettle corn and blankets and tissues together when you visit later this year.) 

This is the first story in which I have gloried this January. It made my heart so very, very full, that time alone with this beloved tale. Not two days later, I found myself hovering over the end of another beautiful story, excited yet chagrined to turn the last few pages.  But that is a story for another day and another post. (Don’t worry, you won’t have to wait long.)

Review: Trigger Warning by Neil Gaiman

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3/12/2015 – I have read several of Neil’s short stories before and really enjoyed them. My husband is an avid fan of some of his novels. So, when I spied this new collection at the bookstore, I immediately grabbed it up as a gift to myself after a long week.

I am always intrigued by Gaiman’s writing and, moreover, of his thought processes as a writer and the introduction alone to this collection of stories is a thing of beauty.

We build the stories in our heads. We take words, and we give them power, and we look out through other eyes, and we see, and exprience, what others see. I wonder, Are fictions safe places? And then I ask myself, Should they be safe places? (page xiii)

Many of the most profound stories I have read have encited some of the most intense emotional reactions in me – anger at injustice, tears, worry, fear, joy, etc. – and many of them, I have read time and time again. I chose to skip Gaiman’s words about the individual stories that he has included in this collection; I shall come back to them after I have read the tales.

So far, I am through the first two pieces, “Making a Chair” and “A Lunar Labyrinth”. The first, in my mind, stands as an introduction to the collection and the idea of “trigger warnings”:

Making a book is a little like making a chair./Perhaps it out to come with warnings,/like the chair instructions./A folded piece of paper slipped into each copy,/warning us:/”Only for one person at a time.”/”Do not use as a stool or a stepladder.”/”Failure to follow these warnings can result in serious injury.”

More to come! ^_^