This has been, thus far, a storied January. In the space of the past two weeks, I have been filled to the proverbial brim by two of the most glorious tales, thus my “storied” January. I will begin here with tale the first.
On a recent, rare, free Sunday, I took myself on a date to the movies, alone, to finally dive deep into a childhood love. I settled myself into my seat and nervously waited through the previews (which I usually enjoy but that day they only tortured me by prolonging the excitement) for the beginning of Greta Gerwig’s long-anticipated adaptation of Louisa May Alcott’s Little Women.
Finally, with a flash of a red leather cover (reminiscent of Dickens’ first edition of A Christmas Carol), the title and author embossed in gold, I was dropped in behind Saoirse Ronan’s Jo March as she paused before the door to the Daily Volcano Press and the imposing Mr. Dashwood. And so it began.
For the next two hours and fifteen minutes, I cried, chided, laughed, fumed, and rejoiced, enthralled to be once again in the world of March Sisters and their beloved friends and family. I was alternately charmed by and incensed at Theodore Laurence, my darling Laurie, played so beautifully by the compelling Timothee Chalamet. And, in my aged prime of almost thirty-seven years, I am more certain than ever of Jo’s wisdom in turning him down. (The fact that I married my own teacher of German, as Jo married her sweet German professor, has absolutely nothing to do with this, by the way.) Jo’s lioness-fierce, protective love for her darling Beth was every bit as moving as it has always been, as was Beth’s own deep, unabashed love for her family and her abiding shyness, which made one want to fight off anyone who would dare to distress her dear, sweet self.
Emma Watson’s Meg was so honest that I adored her to new depths, a great surprise as Meg has never been a favorite character of mine. The struggles she faced between her desire for delicate, pretty things, the oft-harsh reality of her circumstances, and a bone-deep yearning to be content and good were so poignant and real and quintessentially Alcott that I was thrilled to my core. I could practically see Polly from An Old-Fashioned Girl detaching herself from Meg’s inspired skirts to embark on her own stories and struggles along that similar path. I love Watson’s emotional range and the genuineness of feeling that she brought to Meg’s internal struggle.
I left the movie theater glowing, though a pinprick of disappointment was there. Disappointment that I hadn’t carved out the time to take my own Marmee with me to see this film when she visited for Christmas.
(Never fear, Marmee! I shall buy it and we shall cuddle up with kettle corn and blankets and tissues together when you visit later this year.)
This is the first story in which I have gloried this January. It made my heart so very, very full, that time alone with this beloved tale. Not two days later, I found myself hovering over the end of another beautiful story, excited yet chagrined to turn the last few pages. But that is a story for another day and another post. (Don’t worry, you won’t have to wait long.)